I had the pleasure of hearing live music TWICE yesterday, both somewhat unexpectedly.
The first time was at an Intergenerational Dance Hall put on by Twin Cities-based organization Kairos Alive! They have over 20 years of experience putting on events that welcome people of all ages, backgrounds and experience levels to enjoy dancing with one another (thus the title). I have been curious about checking this organization out, but didn't get to it until it was on my list as an evaluator for the Minnesota State Arts Board. I'm now feeling really sorry I haven't gotten to one sooner: it was incredible.
Artistic Director Maria Genne, who was the primary facilitator, made a comment to the group about halfway through that folks used to dance together as a regular pastime and that this group is working to offer that opportunity once again. It really got me thinking again (I believe I think about this on at least a weekly basis) about how elements of popular culture have their hey-day and then become niches to which people dedicate themselves. I'm sure there are things that fade into complete obscurity, but it seems to me that for the most part, things find their dedicated audiences beyond their time of popularity, and live on with those folks.
While it makes me sad when I think that social dance has in certain ways "fell victim" to this, I'm trying to encourage myself not to see it that way. Instead, I'm working to reframe it in my mind to understand how such intergenerational dancing, led by a shared set of accessible knowledge for each type of dance, is finding it's own niche home, just like swing dance.
Reflecting back on the week, I'm proud that I made it to the swing dance, went to the Intergenerational Dance Hall and heard music there, AND out at Day Block Brewing for a friends birthday. I chalked up to two social dance experiences and two live music experiences in one week! AND I danced my booty off at Pigeons Playing Ping Pong last weekend too. ALSO - this week will end up being a two dance show week as well, having seen St. Paul Ballet last night and seeing Jennifer Glaw's Reflection House today. It's ridiculous to me how hard it can be to hold yourself accountable to doing things you enjoy, just because they require an interruption of habit (or perhaps more like it, a building of habit around them). Getting off topic. Just glad to be holding myself accountable to these New Years Intentions/ Desires.
Back to Kairos/ the swing dance. Both of these events had very real audience numbers. Beyond that, they were both genuinely diverse in so many ways. I opt to say "genuinely" because sometimes you can feel when it's been somewhat forced, an achievement of an organizational goal rather than a result of honest to goodness interest in the programming. Both these events had genuine-ness dripping off them from everywhere! It took me a little time to warm to the Intergenerational Dance Hall, as it started with really simply prompts for the kids in attendance (which was totally appropriate to the situation). It took me until getting to my car to realize that starting that way not only was the right accommodation for their audience that day, but also allowed the facilitators to build the entire thing up in energy so that by the time it came to a close, we were bursting out the ceiling together in joy.
And to social dance to an ensemble of INCREDIBLE live musicians at 10am on a Saturday (not to mention in the American Swedish Institute, a cultural gathering place I've never been to, and with such a diverse group of warm and wonderful strangers to boot): downright magical. I sincerely cannot WAIT to go to another one of Kairos' events. In fact, I'm going to put them on my calendar after I finish this post.
My second live music experience yesterday was listening to OVRFWD at Day Block Brewing, upon invitation from a friend for her birthday. It was a joy to stand and listen. Generally, I let my body take over and really get some dancing in, but this music didn't ask for that and that was ok. My body of course had it's reactions, they were just less pronounced than they might be with more "dancey music." I found myself listening in for the meter, for structure and improvisation, visually taking in the ways the guitar players physicalized their riffs. I also found myself describing the music like "acid jazz on metal," in response to my friend saying that it sounded like "jazz on acid." I'm not sure if this makes me pretentious or awesome or both. Probably both.
Anyway, I just really enjoyed my time standing (and swaying a bit) and listening. It gave me a renewed respect for the standing (and swaying) folks I often look at and wonder if they are having any fun. They are. The fun is just happening primarily in their heads. I think there is something to be said for letting the body take over, but I also think there is something to be said for being so focused that the body is taken in more stillness.
I had a lot of other things rolling around in my mind this morning (looking at differences in loss, between now and when I was much younger, thinking about lifestyles in different areas of the country, seeing the bits of quirk that poke out of my mostly pristinely-organized and streamlined home as a physicalization of my approach to artistry and movement - cool and confident and reserving quirk for when it's most effective), but I'm feeling satisfied with what has come out (and hungry!).
Looking forward to more viewing, doing and hearing of dance and music, starting with Jen's show in a couple hours. perhaps the house session tonight and They Might Be Giants on Thursday with Kris!